The leaders of the Korean film industry share analysis and thoughts on the present and future of the Korean film industry and film contents in a time of confusion and rapid change. Establishment of the direction and strategy for OTTs in Korea in the post-corona era, Will OTTs stay in the mainstream in the post-corona era? A session for discussion of essential issues for the overall Korean film industry.

Introducing the changes before and after the pandemic and global trend in the video and OTT platform industry. A session for vivid and direct stories from the representatives of domestic and overseas alternative OTTs about the characteristics and strategies, content, target users and their aim for the future.

The production site of Korean films that encountered rapid changes in a brief period of time, producers who worked with global OTT companies share about their production experiences, emerged concerns with strategies to have in the future. A session to talk of how they are co-working with global OTT companies, emerging issues, strategy, and on-site and the future of Korean film production scene.

A forum for an insight discussion on setting the direction of the policy for Korean video and film content industry and OTTs, which is one of the industries experiencing the greatest difficulties, even ahead of the post-corona era.

A talk session highlighting the creative experiences of women who are actors and directors. They share the way an actor directs the world she sees with her own eyes, how the audiences they meet in Korean society have changed since the Me Too movement, and how female audiences meet actors and directors in the Corona era.

A casual talk show-style session where the leading female director, producer, and actor focuse on new narratives and films they want to make, and expect to come in future.

A book talk with Ok-young KIM, the master of Korean documentary who recently published Art of Documentary speaking about documentary and life. A moment to agonize together over what would a documentarist who asks questions discover.

This session introduces the value of diversity and gender equality in the film industry with the cases of good policy abroad. Deundeun, Center for Gender Equality in Korean Film presents best practices of gender equality in the overseas film industry, and the 50:50 by 2022 goal for gender equality in the Korean film industry.

Project, K-Sound Library started to reinforce the competitiveness of Korean content with Korean sound without relying on overseas sound libraries anymore. JEONJU IFF prepares an opportunity to discuss the status of K-Sound Library and its development plans, focusing on this project. Sound Supervisor KIM Byeong-in of LIVETONE presents a case of using K-Sound Library in the case of the film Parasite, Head of department PYO Yongsoo of mediACT discusses the need for independent film sound work and K-Sound Library, and polyartist KIM Yong-guk of WorksSound proposes opinions on the construction of K-Sound Library and development directions.
* This session is also streamed online at the official Jeonju IT & CT Industry Promotion Agency Youtube channel.

• The conference, in celebration of the 20th anniversary of the Jeonju Film Commission, is a place to examine the current status of Jeonju's local film policy and discuss the direction of the next 20 years. With detailed targets of building a local film network and a collaborative governance model, the speakers will talk about the local film policy and the cases of other locals, and the issues including the establishment of the House of Jeonju Independent Films as governance for the future Jeonju local films.

The editors talk about the specialty and expertise of the domestic documentary editing work process which has not been discovered. They have been actively working on-site with diverse professional backgrounds. Sharing about the difference between the documentary editing system in Korean and overseas, and they discuss directions for possible improvement in the future.

A series of policy forum presented by Indieground, Independent·Art Film Distribution Support Center(established by Korean Film Council, operated by Korean Independent Film Association). The panelists discuss revitalizing audience centered community cinema as a venue for restoring the broken network, and encourage cooperation between independent·art film insiders.

A session for analyzing re-structured ecosystem of the independent·art film by Covid-19, The panelist will talk about restoring the broken network between independent·art film insiders, and discuss methods to revitalize community cinema.

A Korean-French film co-production session co-hosted by the Embassy of France in Korea and JEONJU IFF. The speakers share fascinating stories and behind the scene experience of filmmaking, co-production, and screenwriters working in France, and talk about film production support from film experts of Korea and France.